Impression

painting quickly in France, 1860-1890

Presents the catalogue for an exhibition of Impressionist paintings that appear to be rapid transcriptions of shifting objects but were considered finished by their creators, featuring works by Monet, Renoir, Degas, and others; and includes essays that discuss the making, signing, exhibiting, and marketing of such works.

Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamston, Massachusetts
2000
9780300084467
book

Holdings

hidmidmiidnidwidlocation_codelocationbarcodecallnumdeweycreatedupdated
41215542342172263283028406066GENH224GENH25834709.2 BRE709.215774597521709567815
296988264416272106283028406066NEH343NWS0020388OVSZ 759.409 BRE759.416377825731695044385
340590967889831589283028406066Franklin10930262060090990759.054 BRE759.0516407292551640729255