popular culture

Superfans are not just consumers; they are participants in a fan culture that can include millions of other people with similar tastes and beliefs. And some fans are so committed they use their fandom as a creative outlet; they produce fan fiction, art, videos, comics, costumes, and songs to honor their idols.

"In You Are What You Watch, Pulitzer Prize-winning author and data expert Walt Hickey explains the power of entertainment to change our biology, our beliefs, how we see ourselves, and how nations gain power through entertainment. Virtually anyone who has ever watched a profound movie, a powerful TV show, or read a moving novel understands that entertainment can and does affect us in surprising and significant ways. But did you know that our most popular forms of entertainment can have a direct physical effect on us, a measurable impact on society, geopolitics, the economy, and even the future itself? In You Are What You Watch, Walter Hickey, Pulitzer Prize winner and former chief culture writer at acclaimed data site FiveThirtyEight.com, proves how exactly how what we watch (and read and listen to) has a far greater effect on us and the world at large than we imagine. Employing a mix of research, deep reporting, and 100 data visualizations, Hickey presents the true power of entertainment and culture. From the decrease in shark populations after Jaws to the increase in women and girls taking up archery following The Hunger Games, You Are What You Watch proves its points not just with research and argument, but hard data. Did you know, for example, that crime statistics prove that violent movies actually lead to less real-world violence? And that the international rise of anime and Manga helped lift the Japanese economy out of the doldrums in the 1980s? Or that British and American intelligence agencies actually got ideas from the James Bond movies? In You Are What You Watch, readers will be given a nerdy, and sobering, celebration of popular entertainment and its surprising power to change the world"--.

"From . . . Margaret Atwood comes a . . . collection of nonfiction . . . [essays] which grapples with such wide-ranging topics as: Why do people everywhere, in all cultures, tell stories? How do we get rid of the immense amount of plastic that's littering our seas and lands? How much of yourself can you give away without evaporating? Is science fiction now writing us? So what if beauty is only skin deep? What do zombies have to do with authoritarianism? Is it true? And is it fair? In over fifty pieces, taken from lectures, autobiographical essays, book reviews, cultural criticism, obituaries, and new introductions to her own body of work (including The Handmaid's Tale thirty years after its initial publication) as well as that of other writers, we watch Atwood aim her . . . intellect and . . . humor at the world, and report back to us on what she finds. From asking what society's youth expects from its elders (2004), to pondering the philosophical underpinnings of debt (2008, not surprisingly), to encountering a mysterious new platform called Twitter (2009), to asking if it is, in fact, too late to save the planet (2015) or what forces have been unleashed in the age of Trump (2016), and culminating in a . . . meditation on grief and poetry in the wake of her own loss (2020)"--Provided by publisher.

Alphabetically arranged entries examine more than three hundred of the most notorious criminals and murderers in United States history and explore how their stories have been glorified by the media.

"A history of the thinkers, writers, and artists who shaped intellectual culture in Cold War Europe and America"--Provided by publisher.

"Essays about 1990s popular culture, politics, sports, literature, music"--Provided by publisher.

A guide to the Smithsonian's first permanent exhibition on American pop culture with a in-depth focus on theater, music, sports, movie and television objects.

"A collection of real life stories spanning the ages and the globe, from history, science and pop culture"--OCLC.

Anime, animated shows created in Japan, and manga, Japanese style comic books and graphic novels, have taken the world by storm. The fandom is so devoted that, annually, millions of fans meet up at conventions to celebrate their favorite series and characters. Fans of all backgrounds bond at cosplay gatherings, anime cafes, anime and manga clubs, and on social media platforms such as Tik Tok.

"From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken--with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity--is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, a first-generation Taiwanese American who has a 'zine and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become best friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of his best friend--his memories--Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging"--Provided by the publisher.