stage history

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stage history

Fashion in the time of William Shakespeare

2014
"Explores the sartorial world of the late-16th century, why people wore the clothes they did, and how the dizzyingly eclectic range of fashions (including ruffs, rebatos and French farthingales) was transformed over time"--Back cover.

You wouldn't want to be a Shakespearean actor!

some roles you might not want to play
Brief text, sidebars, labeled illustrations, and humorous cartoons depict what it was like to be a Shakespearean actor during the sixteenth century.

You wouldn't want to be a Shakespearean actor!

some roles you might not want to play
Brief text, sidebars, labeled illustrations, and humorous cartoons depict what it was like to be a Shakespearean actor during the sixteenth century.
Cover image of You wouldn't want to be a Shakespearean actor!

The world only spins forward

the ascent of Angels in America
2018
An oral history of the Broadway show, 'Angels in America,' as told by the artists who created it and the audiences changed by it, spanning 1978 to 2018.

When Blanche met Brando

the scandalous story of "A streetcar named Desire"
2005
Presents a behind-the-scenes look at the stage and film productions of Tennessee Williams' "A Streetcar Named Desire," featuring profiles of directors, actors and actresses, and even backstage personnel, discussing the play's reception by the scandalized public, and including tidbits of gossip and trivia.

The rough guide to Shakespeare

the plays, the poems, the life
2005

Imagining Shakespeare

a history of texts and visions
2003
Explores the ways in which Shakespeare's works have been imagined throughout history, discussing the changing nature of dramatic representation over the centuries.

With our good will

30 years of Shakespeare in Idaho
2006
Doug Copsey has written a conversational, intimate, thorough and artful book about the remarkable evolution of the Idaho Shakespeare Festival. The book is a testament to the hard work, dedication and vision of those intrepid actors, directors and technicians who founded a theater that has survived and prevailed for three decades. No one has more insight and experience than Copsey as the Festival's founding director. Allowing the actors, directors, staff and audience members to have their say adds immediacy and authenticity to this valuable record of the mighty few who saw an opportunity and created art. Alan Minskoff, Director of Journalism Albertson College of Idaho.

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