psychological fiction

The friends of a seemingly perfect socialite couple begin to see cracks in the fa(c)'ade when they realize that the husband and wife are never apart and that there are bars on one of the couple's upstairs windows.

The original story by H.G. Wells, with annotations from Leon Stover.

"Florence Darrow is a low-level publishing employee who believes that she's destined to be a famous writer. When she stumbles into a job as the assistant to the brilliant, enigmatic novelist known as Maud Dixon . . . it appears that the universe is finally providing Florence's big chance. The arrangement seems perfect. Maud Dixon (whose real name, Florence discovers, is Helen Wilcox) can be prickly, but she is full of pointed wisdom--not only on how to write, but also on how to live. Florence quickly falls under Helen's spell and eagerly accompanies her to Morocco, where Helen's new novel is set. . . . But when Florence wakes up in the hospital after a terrible car accident, with no memory of the previous night--and no sign of Helen--she's tempted to take a shortcut. Instead of hiding in Helen's shadow, why not upgrade into Helen's life? Not to mention her bestselling pseudonym"--OCLC.

A rebel named Randle Patrick McMurphy is committed to a mental ward and challenges the authority of its dictatorial head nurse.

"Three teens chase their own version of the American Dream during the Roaring 20s in this YA remix of The Great Gatsby"--Provided by publisher.

"When no one in the small town of Merritt, Florida, believes that he was attacked by a monster, fifteen-year-old Virgil Knox fears the monster will return to finish him off, or worse--that he is becoming a monster himself"--OCLC.

In the room beneath a theater stage, the ghosts of Juliet, Ophelia, Cordelia, and other teenage girls who died tragically in Shakespeare's plays, share their experiences and trauma and get the chance to retell the stories of their lives in their own terms.

"Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It's enormous, old, and ever-so eerie--the perfect place to develop and rehearse her play. Despite her own hesitations, Holly's girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house's peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . ."--Provided by publisher.

"Rachel takes the same commuter train every morning ... past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them ... Their life-as she sees it-is perfect. Not unlike the life she recently lost. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good?"--Provided by publisher.

"Everyone knows a couple like Jack and Grace: he has looks and wealth, she has charm and elegance. You'd like to get to know Grace better. But it's difficult, because you realize Jack and Grace are never apart. Some might call this true love. Picture this: a dinner party at their perfect home, the conversation and wine flowing. They appear to be in their element while entertaining. And Grace's friends are eager to reciprocate with lunch the following week. Grace wants to go, but knows she never will. Her friends call -- so why doesn't Grace ever answer the phone? And how can she cook such elaborate meals but remain so slim? And why are there bars on one of the bedroom windows? The perfect marriage? Or the perfect lie?"--Provided by publisher.