Switzer, Ellen Eichenwald

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There ought to be a law!

How laws are made and work
1972
Explains how laws are made at the national, state, and local levels, discusses some specific laws and bills, and includes chapters on trials, courts, lawyers, and prosecutors.

There ought to be a law!

Explains how laws are made at the national, state, and local levels, discusses some specific laws and bills, and includes chapters on trials, courts, lawyers, and prosecutors.

Lily Boop

1986
A young girl describes her adventures with her unusual friend, Lily Boop, who keeps a pet slug and eats raw eggs for lunch.

There ought to be a law!

Explains how laws are made at the national, state, and local levels, discusses some specific laws and bills, and includes chapters on trials, courts, lawyers, and prosecutors.

The magic of Mozart

Mozart, The magic flute, and the Salzburg Marionettes
1995
A retelling of Mozart's opera "The Magic Flute," including a biographical section about Mozart and a behind-the-scenes account of a performance of the work by the Salzburger Marionettentheater, illustrated with photographs.

How democracy failed

1975
Analyses of interviews with various German people about national events and attitudes preceding World War II reveal why Hitler succeeded and the personal reasons Germans allowed him to come to power.

Anyplace but here

young, alone, and homeless : what to do
1992
Examines the problems that lead young people to live on the streets and what life is like for them there. Also provides information on how they can get help.

Dancers!

horizons in American dance
1982
Describes companies that have a major influence on American dance today and takes a look at the lives of the dancers.

Greek myths

gods, heroes, and monsters :their sources, their stories, and their meanings
1988
Examines the sources and stories of Greek mythology, recounting the tales of gods, heroes, lovers, and warriors.

The Nutcracker

a story & a ballet
1985
Describes the Tchaikovsky ballet, the Hoffman story on which it was based, and the version staged by Balanchine for the New York City Ballet, as shown through photographs and interviews with some of the dancers.
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