A study of Shakespeare's ten tragedies examining key elements each play shares with the others and with its time plus Shakespeare's unique achievement in each play.
Critical discussion of three Shakespeare plays, Troilus and Cressida, All's Well that Ends Well, and Measure for Measure, that defy attempts to classify them as either comedy, romance, tragedy, or satire.
Drawing on cultural documents and literary theory and criticism, the author demonstrates that Shakespeare's comic genius lies in his talent for fusing elements of reality and fantasy.