williams, tennessee

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williams, tennessee

Tennessee Williams's A streetcar named desire

2009
Presents ten critical essays on Tennessee Williams's "A Streetcar Named Desire" and includes a chronology, a bibliography, and an introduction by critic Harold Bloom.

Tennessee Williams's Cat on a hot tin roof

2002
Presents critical essays on Tennessee Williams's "Cat on a Hot Tin Roof" and includes a chronology, a bibliography, and an introduction by critic Harold Bloom.

Tennessee Williams

2007
Contains eleven critical essays on the works of twentieth-century American playwright Tennessee Williams, and features an introduction and afterword by Harold Bloom, as well as a chronology and bibliography.

Tennessee Williams's A streetcar named Desire

2005
Presents critical essays on Tennessee Williams's "A Streetcar Named Desire" and includes a chronology, a bibliography, and an introduction by critic Harold Bloom.

Tennessee Williams's The glass menagerie

2007
Presents a critical analysis of Tennessee Williams's "The Glass Menagerie;" and contains an introduction by Harold Bloom, profile of the author, detailed summaries of Williams's work, and critical essays.

Tennessee Williams

comprehensive research and study guide
2000
Includes a biography of Williams plus critical studies of three of his plays.

Critical Insights

A streetcar named Desire, by Tennessee Williams
2010
Collects critical essays on Tennessee Williams' "A Streetcar Named Desire, " including selections by Catherine Steindler, Dan Isaac, Dean Shackelford, and others; and includes a chronology of the life of the author.

Readings on The glass menagerie

1998
Presents sixteen works of criticism on Tennessee Williams's play "The Glass Menagerie, " discussing its themes, characterization, structure, and influences, and includes a chronology and primary and secondary bibliographies.

Tennessee Williams's A streetcar named Desire

1988
Presents critical essays on Tennessee Williams's "A Streetcar Named Desire" and includes a chronology, a bibliography, and an introduction by critic Harold Bloom.

Pages

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