single mothers

"On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate Colorado mountain highway. She is at the end of her rope, out of money and food; her adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet. As Rebecca tries to dig her van out of the snow, a man in a pickup truck stops and offers her a tow. Rebecca declines, but this chance encounter with a stranger will destroy the life she has fought so hard to hold together. Now her worst fears come to life as she is caught between a ravenous predator and a fate worse than death. Rebecca would die to protect her daughter, but dying wouldn't be enough to satisfy this monster . . . On the other side of the country, FBI agent Marc Donner has a break in a serial killer case he has been tracking for two years"--Provided by publisher.

"[Shiloh and Cary] were best friends. Allies. They spent entire summers sitting on Shiloh's porch steps, dreaming about the future. They were both going to get out of north Omaha--Shiloh would go to college and become an actress, and Cary would join the Navy. They promised each other that their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed. Now Shiloh's thirty-three, and it's been fourteen years since she talked to Cary. She's been married and divorced. She has two kids. And she's back living in the same house she grew up in. . . . When she's invited to an old friend's wedding, all Shiloh can think about is whether Cary will be there--and whether she hopes he will be. Would Cary even want to talk to her? After everything? The answer is yes. And yes. And yes. 'Slow Dance' is the story of two kids who fell in love before they knew enough about love to recognize it. Two friends who lost everything. Two adults who just feel lost. It's the story of Shiloh and Cary, who everyone thought would end up together, trying to find their way back to the start"--Provided by publisher.

"'Class' paints an intimate and heartbreaking portrait of motherhood as it converges and often conflicts with personal desire and professional ambition. Who has the right to create art? Who has the right to go to college? And what kind of work is valued in our culture? In clear, candid, and moving prose, 'Class' grapples with these questions, offering a[n] indictment of America's educational system and a . . . testimony of a mother's triumph against all odds"--Provided by publisher.

"A novel about a young woman whose gift of second sight complicates her coming of age in late 19th century Scotland. Growing up in the care of her grandparents on Belhaven farm, Lizzie Craig discovers at a young age that she can see into the future. Her gift of sight is selective--she doesn't, for instance, see that she has an older sister who will come to join the family on her beloved farm. But she does see 'pictures' that foretell various incidents and accidents and begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her. Why have the adults around her not revealed that the touch of a hand can change everything? After following Louis to Glasgow, though, she learns the limits of his devotion, and when faced with a seemingly impossible choice, she makes what turns out to be a terrible mistake. But while Lizzie can't change the past, her second sight may allow her a second chance"--Provided by publisher.

"A serious scientist is on the cutting-edge team of a bold project looking to 'de-extinct' the wooly mammoth. She's privileged to have been sent to Siberia to hunt for ancient DNA, but there's a catch: Jane's two 'tagalong' teen daughters are there with her in the Arctic, and they're bored enough to cause trouble. Brilliant, fiery, sharp-tongued Eve is fifteen and willing to talk back to the male scientists in a way her mother is not. And sweet, thirteen-year-old Vera, who seems to absorb all the emotional burdens of her small family, just wants to be home in Berkeley, baking cakes and watching bad tv. When Eve and Vera stumble upon a 4,000-year-old baby mammoth that has been perfectly preserved, their discovery sets off a chain of events that pit Jane against her colleagues, and soon her status at the lab is tenuous at best. So what does a female scientist do when she's a passionate devotee of her field but her gender and life history hold her back? She goes rogue"--Provided by publisher.

A high school teacher crosses paths with a variety of parents on the baseball field, but his entire identity is a lie.

"Elizabeth Zott is not your average woman. In fact Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the 1960s and despite the fact that she is a scientist, her peers are very unscientific when it comes to equality. The only good thing to happen to her on the road to professional fulfillment is a run-in with her super-star colleague Calvin Evans (well, she stole his beakers.) The only man who ever treated her-and her ideas-as equal, Calvin is already a legend and Nobel nominee. He's also awkward, kind and tenacious. Theirs is true chemistry. But as events are never as predictable as chemical reactions, three years later Elizabeth Zott is an unwed, single mother (did we mention it's the early 60s??) and the star of America's most beloved cooking show Supper at Six. Elizabeth's singular approach to cooking ('take one pint of H2O and add a pinch of sodium chloride') and independent example are proving revolutionary. Because Elizabeth isn't just teaching women how to cook, she's teaching them how to change the status quo"--Provided by publisher.

"In this memoir of motherhood, love, and resilience, a woman and her toddler son follow the grey whale migration from Mexico to northernmost Alaska. In this striking blend of nature writing, whale science, and memoir, Doreen Cunningham interweaves two stories: tracking the extraordinary northward migration of the grey whales with a mischievous toddler in tow and living with an Inupiaq family in Alaska seven years earlier. Throughout the journey she explores the stories of the whales and their young calves-their history, their habits, and their attempts to survive the changes humans have brought to the ocean. Cunningham's voice is powerful: sharp, profound, sensitive, and unflinching. A story of courage and resilience, Soundings is about the migrating whales and all we can learn from them as they mother, adapt, and endure, their lives interrupted and threatened by global warming. It is also a riveting journey onto the Arctic Sea ice and into the changing world of Indigenous whale hunters, where Doreen becomes immersed in the ancient values of the I?upiaq whale hunt and falls in love. For this is Doreen's story, too-a fierce, feminist tale, touching on her childhood and her time living in a Women's Refuge with her baby, becoming a mother, just like the whales. Lyrical, brave, and fearlessly honest, Soundings is an unforgettable journey"--Provided by publisher.

"Single mom Jessica Davis is a data and statistics wizard, but no amount of number crunching can convince her to step back into the dating world. Jess has been left behind too often to feel comfortable letting anyone in; she holds her loved ones close, but working constantly to stay afloat is hard... and lonely. GeneticAlly, a buzzy new DNA-based matchmaking company, claims to find soulmates through DNA. Her test shows an unheard-of 98 percent compatibility with another subject in the database: one of GeneticAlly's founders, Dr. River Pe?a. She already knows Dr. Pe?a, and this stuck-up, stubborn man is without a doubt not her soulmate. As the pair are dragged from one event to the next, Jess begins to realize that there might be more to the scientist than she thought"--OCLC.

"A producer at the Belfast bureau of the BBC, Tessa is at work one day when the news of another raid comes on the air. The IRA may have gone underground after the Good Friday agreement, but they never really went away, and lately, bomb threats, arms drops, and helicopters floating ominously over the city have become features of everyday life. As the anchor requests the public's help in locating those responsible for this latest raid--a robbery at a gas station--Tessa's sister appears on the screen. Tessa watches in shock as Marian pulls a black mask over her face. The police believe Marian has joined the IRA, but Tessa knows this is impossible. They were raised to oppose Republicanism, and the violence enacted in its name. They've attended peace vigils together. And besides, Marian is vacationing by the sea. Tessa just spoke to her yesterday. When the truth of what has happened to Marian reveals itself, Tessa will be forced to choose: between her ideals and her family, between bystanderism and action. Walking an increasingly perilous road, she fears nothing more than endangering the one person she loves more fiercely than her sister: her infant son"--Provided by publisher.