women photographers

From folk art to photography, architecture to painting, sculpture to music, female Cuban artists have long gone unnoticed on a global scale. This poetry collection highlights the lives and legacies of eight Cuban women who have redefined art in their communities.

From folk art to photography, architecture to painting, sculpture to music, female Cuban artists have long gone unnoticed on a global scale. This poetry collection highlights the lives and legacies of eight Cuban women who have redefined art in their communities.

"A gripping group portrait of six revolutionary women writers during World War II "I am going to Spain with the boys," Martha Gellhorn wrote. "I don't know who the boys are but I am going with them." On the front lines of the Second World War, the lives of six remarkable women intertwined: Lee Miller, the Vogue cover model and photographer who lived in Paris as Man Ray's lover before becoming a war correspondent for the magazine; Martha Gellhorn, the third wife of Ernest Hemingway and a novelist in her own right; Sigrid Schultz, an indisputably brave journalist who withstood surveillance, interrogation, and death threats in order to publish the truth from Berlin; Virginia Cowles, whose career as a 'society girl columnist' turned combat reporter began with an exclusive interview with Mussolini; Clare Hollingworth, who had almost no professional experience when she became the first correspondent to report the outbreak of World War II; and Helen Kirkpatrick, a reporter so admired by the military that at the order of General Eisenhower she was the first woman to report from an Allied war zone with equal privileges to men. The Correspondents paints a vivid, intimate, and nuanced portrait of these pioneering women, from chasing down sources to conducting clandestine love affairs. With her riveting and meticulous history, Judith Mackrell reconsiders the narrative of the war from a new perspective"--Provided by publisher.

Tired of staying in seclusion since the death of her best friend, a fourteen-year-old Native American girl takes on a photographic assignment with her local newspaper to cover events at the Native American summer youth camp.

Delta Dawn, a photographer no longer content just observing the perfect lives of NYC's elite citizens but wanting a piece of the pie for herself, is hired to photograph the eleventh birthday party of Natalie Straub. Using her connection to the family, Dawn becomes not only Natalie's photographer but also her nanny, befriends the mother, and ingratiates herself with the father. Slowly, Dawn finds in herself the frightening power to not only manipulate photos, but also the real world--but at a high cost.

"Sent away at sixteen to live with an aunt she barely knew in Ocracoke, a remote village on North Carolina's Outer Banks, she could think only of the friends and family she left behind . . . until she meets Bryce Trickett, one of the few teenagers on the island. By 2019, She is a renowned travel photographer.But this year she is unexpectedly grounded over Christmas, struggling to come to terms with a sobering medical diagnosis. Increasingly dependent on a young assistant, she finds herself becoming close to him. As they count down the last days of the season together, she begins to tell him the story of another Christmas, decades earlier-and the love that set her on a course she never could have imagined"--.

"In 1918, a fearless twenty-two-year-old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange, she is soon the celebrated owner of the city's most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon. By the early 1930s, as America's economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation's poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice, the incarceration of thousands of innocent Japanese Americans"--Provided by publisher.

As a child, Anna loved to collect plants and insects with her scientist father. As an adult, she became a botanist, and in 1843, published the first book of photographs---cyanotype prints of her vast seaweed collection.

Over the course of several recorded conversations, Andrea Bowers and Catherine Opie reveal the many similarities in their backgrounds and discuss ideas concerning documentary methodologies and community based work. The conversation spans many of the topics they regard central to their practices and responsibilities as artists, from memories and community, to activism, documentary, feminism, war, and environmentalism.

The author tells her family's history in photographs and text, after sorting through a box of old papers that revealed scandals, alcohol and domestic abuse, affairs, family land ownership, and racial complications.