exhibitions

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exhibitions

A century of African American art

the Paul R. Jones collection
Reproduces sixty-six works of African-American art from the Paul R. Jones collection, and includes ten essays in which contributors discuss collage and photomontage, discursive modernism, color, photography and printmaking, and other topics.
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Winslow Homer in the 1890s

Prout's Neck observed
Catalogue published on the occasion of an exhibition held Aug. 18-Oct. 21, 1990, at the Memorial Art Gallery of the University of Rochester, Rochester, N.Y.; Nov. 17, 1990-Jan. 13, 1991 at the Terra Museum of American Art, Chicago, Ill.; Feb. 8-May 27, 1991, at the National Museum of American Art, Smithsonian Institution, Washington, D.C.; and June 22-Sept. 2, 1991, at the Sterling and Francine Clark Art Institute, Williamstown, Mass.
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Ghost in the shell

photography and the human soul, 1850-2000 : essays on camera portraiture
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Picasso

the artist's studio
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Chicano visions

American painters on the verge
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Dreamings

the art of aboriginal Australia
Offers a comprehensive overview of Aboriginal art and aesthetics, focusing on how they are integrated within the distinctive Aboriginal tradition.
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Testimony

vernacular art of the African-American South : the Ronald and June Shelp collection
Presents color reproductions of paintings, drawings, and sculptures by twenty-seven self-taught African-American artists from the Southern U.S., and includes essays that explore the themes and meaning of the work.
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Committed to the image

contemporary black photographers
Showcases the work of ninety-four contemporary African-American photographers working in the post-World War II era.
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Picasso linoleum cuts

the Mr. and Mrs. Charles Kramer Collection in the Metropolitan Museum of Art
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To conserve a legacy

American art from historically Black colleges and universities
Photographs and text help profile six colleges and universities that have the largest collections of African-American art and artifacts.
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