ethnic identity

"A picture book homage to community and contemporary Native pride-intimately set in the comfort of an urban Native community center that is celebrating the inauguration of Deb Haaland as Secretary of the Interior on March 18, 2021"--Provided by publisher.

"The term, "Hispanic," is used to describe an ethnic group comprised of people who were born in or whose parents or ancestors were born in a Spanish speaking nation, no matter their race. Hispanics are also the fastest growing youth population and the youngest ethnic group in the nation"--.

"For generations, women of color have had to push against powerful forces of sexism, racism, and classism in this country, and too often, they have felt that they had to face these challenges alone. Through her writing, her activism, and through founding Latina Rebels, Prisca Dorcas Mojica Rodr?guez fought to create community to help women fight together. . . Her new book addresses a range of issues: How can Brown girls survive, and thrive, in spaces that were never meant for us? How do we feel pride when we're forced to code-switch? How can we deal with our own imposter syndrome? How do we free ourselves from internalized racism, when it comes to colorism within our communities? And what does it mean to decolonize our worldview?"--.

"Huda [Fahmy] navigates life from the unique perspective of a Muslim-American woman, using poise and tact (well, most of the time) to break down misconceptions of her culture, one comic at a time"--Back cover.

"A blend of family history and original reportage by a conversation-starting writer for The New York Times Magazine that explores-and reimagines-Asian American identity in a Black and white world. In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the country's demographics. But over the next four decades, millions arrived, including Jay Caspian Kang's parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of "Asian America" that was supposed to define them. [This book tells the] story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents' assimilationist goals with membership in a multicultural elite-all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly "people of color." Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country's racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city's exam schools is the only way out; the men's right's activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding "Yellow Peril Supports Black Power" signs"--Provided by publisher.

"A . . . candid memoir about a young woman's journey to understanding her complicated parents--her father a Vietnam veteran, her mother an Okinawan war bride--and her own, fraught cultural heritage. Elizabeth's mother was working as a nightclub hostess on U.S.-occupied Okinawa when she met the American soldier who would become her husband. The language barrier and power imbalance that defined their early relationship followed them to the predominantly white, upstate New York suburb where they moved to raise their only daughter. There, Elizabeth grew up with the trappings of a typical American childhood and adolescence. Yet, even though she felt almost no connection to her mother's distant home, she also felt out of place among her peers. Decades later, Elizabeth comes to recognize the shame and self-loathing that haunt both her and her mother, and attempts a form of reconciliation, not only to come to terms with the embattled dynamics of her family but also to reckon with the injustices that reverberate throughout the history of Okinawa and its people"--Provided by publisher.

Presents the history of the Hispanic American identity, and details how Hispanic Americans experience bias in the United States. Highlights how that bias has led to the discrimination of Hispanic Americans, includes color photographs and additional resources.

"In the linked essays that make up her debut collection, This Is One Way to Dance, Sejal Shah explores culture, language, family, and place. Throughout the collection, Shah reflects on what it means to make oneself visible and legible through writing in a country that struggles with race and maps her identity as an American, South Asian American, writer of color, and feminist. This Is One Way to Dance draws on Shah's ongoing interests in ethnicity and place: the geographic and cultural distances between people, both real and imagined. Her memoir in essays emerges as Shah wrestles with her experiences growing up and living in western New York, an area of stark racial and economic segregation, as the daughter of Gujarati immigrants from India and Kenya. These essays also trace her movement over twenty years from student to teacher and meditate on her travels and life in New England, New York City, and the Midwest, as she considers what it means to be of a place or from a place, to be foreign or familiar. Shah invites us to consider writing as a somatic practice, a composition of digressions, repetitions-movement as transformation, incantation. Her essays-some narrative, others lyrical and poetic-explore how we are all marked by culture, gender, and race; by the limits of our bodies, by our losses and regrets, by who and what we love, by our ambivalences, and by trauma and silence. Language fractures in its attempt to be spoken. Shah asks and attempts to answer the question: How do you move in such a way that loss does not limit you? This Is One Way to Dance introduces a vital new voice to the conversation about race and belonging in America"--.