race relations

"A gathering of essays . . . that explores all the relevant cultural and historical issues of the past quarter century having to do with race and race relations in America. Three beliefs that are sometimes in tension with one another infuse these pages. First, a massive amount of cruel racial injustice continues to beset the United States of America, an ugly reality that has become alarmingly obvious with the ascendancy of Donald J. Trump and the various political, cultural, and social pathologies that he and many of his followers display and reinforce. Second, there is much about which to be inspired when surveying the African-American journey from slavery to freedom to engagement in practically every aspect of life in the United States. Third, an openness to complexity, paradox, and irony should attend any serious investigation of human affairs"--Provided by publisher.

Originally published in 1884, this updated edition presents an insightful and eye-opening exploration of post-Reconstruction America--one with issues still plaguing the US today--that analyzes the relationship between capitalism and racism in the US.

A collection of essays presenting arguments that hate speech restrictions are dangerous and counterproductive not only because of the challenge they present to the First Amendment but also because they draw attention and resources away from the real problems of racism and inequality.

Discusses the period of slavery during which over ten and half million Africans were shipped to the Caribbean and Latin America, examines the history of the African presence in Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru, looks at the cultures that originated from these African ancestors, and considers the presence of anti-black racism in Latin America.

"A collection of essays taking aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women"--Provided by publisher.

"According to commentator and lawyer Elie Mystal, Republicans are wrong when they tell you the First Amendment allows religious fundamentalists to discriminate against gay people who like cake. They're wrong when they tell you the Second Amendment protects the right to own a private arsenal. They're wrong when they say the death penalty isn't cruel or unusual punishment, and they're wrong when they tell you we have no legal remedies for the scourge of police violence against people of color. In fact, Mystal argues, Republicans are wrong about the law almost all of the time, and now, instead of talking about this on cable news, Mystal explains why in his first book"--Provided by publisher.

"An incisive, gripping exploration of the forces that pushed our unjust system to its breaking point after the death of George Floyd and a definitive guide to America's present-day racial reckoning"--Amazon.

"The author . . . examines 100 years of Black movies--using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture and the civil rights movement in America. Beginning in 1915 with D.W. Griffith's The Birth of a Nation--which glorified the Ku Klux Klan and became Hollywood's first blockbuster--[he] gives us a . . . history, spanning more than a century, of Black artists in the film business, onscreen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X to the O.J. Simpson trial to the Black Lives Matter movement. He considers the films themselves--including The Imitation of Life, Gone With the Wind, Porgy & Bess, the Blaxploitation films of the 70s, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to . . . light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava Duvernay, and Jordan Peele, among . . . others. A . . . timely book, [this book] gives us both an unprecedented history of Black cinema, and a . . . perspective on racism in modern America"--Provided by publisher.

"[This book] is a . . . project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. [The author] examines how black performance happens in specific moments in time and space--mid-century Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, [he] became fascinated with clips of black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated . . . in the history and legacy of minstrelsy, [he] uncovered questions and tensions that help to reveal how black performance pervades all areas of American society"--Provided by publisher.

Even though slavery had ended in the 1860s, African Americans were still suffering under the weight of segregation a hundred years later. They couldn't go to the same schools, eat at the same restaurants, or even use the same bathrooms as white people. But by the 1950s, black people refused to remain second-class citizens and were willing to risk their lives to make a change"-.