war photographers

"A gripping group portrait of six revolutionary women writers during World War II "I am going to Spain with the boys," Martha Gellhorn wrote. "I don't know who the boys are but I am going with them." On the front lines of the Second World War, the lives of six remarkable women intertwined: Lee Miller, the Vogue cover model and photographer who lived in Paris as Man Ray's lover before becoming a war correspondent for the magazine; Martha Gellhorn, the third wife of Ernest Hemingway and a novelist in her own right; Sigrid Schultz, an indisputably brave journalist who withstood surveillance, interrogation, and death threats in order to publish the truth from Berlin; Virginia Cowles, whose career as a 'society girl columnist' turned combat reporter began with an exclusive interview with Mussolini; Clare Hollingworth, who had almost no professional experience when she became the first correspondent to report the outbreak of World War II; and Helen Kirkpatrick, a reporter so admired by the military that at the order of General Eisenhower she was the first woman to report from an Allied war zone with equal privileges to men. The Correspondents paints a vivid, intimate, and nuanced portrait of these pioneering women, from chasing down sources to conducting clandestine love affairs. With her riveting and meticulous history, Judith Mackrell reconsiders the narrative of the war from a new perspective"--Provided by publisher.

"Close-Up on War tells the story of French-born Catherine Leroy, one of the Vietnam War's few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Despite being told that women didn't belong in a "man's world," she was cool under fire, gravitated toward the thickest battles, went along on the soldiers' slogs through the heat and mud of the jungle, crawled through rice paddies, and became the only official photojournalist to parachute into combat with American soldiers. Later, Leroy was gravely wounded from shrapnel, but that didn't keep her down more than a month. When captured by the North Vietnamese in 1968, she talked herself free after photographing her captors, scoring a cover story in Life magazine. A recipient of the George Polk Award, one of the most prestigious awards in journalism, Leroy was one of the most well-known photographers in the world during her time. In addition to texts by Pulitzer Prize-winning photojournalists Peter Arnot and Nick Ut, the book includes a preface, author's note, endnotes, bibliography, timeline, and index"--Provided by publisher.

Richard Boyle, a journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship.

Looks at the life and work of war photographers Robert Capa and Gerta Taro, who were pioneers in the field of photojournalism as they captured images from the Spanish Civil War.

A novel inspired by the life of the Vogue model-turned-renowned photographer finds Lee Miller relocating to 1929 Paris, where she becomes the muse and colleague of the mercurial surrealist, Man Ray.

A graphic look at Robert Capa's time spent as a wartime photojournalist up till the time of his death.

Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making -- not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself. Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war. Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear. As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.

A profile of 16 courageous women, this book tells the story of journalists who risked their lives to bring back scoops from the front lines. Each woman--including Sigrid Schultz, who broadcast news via radio from Berlin on the eve of the Second World War; Margaret Bourke-White, who rode with General George Patton's Third Army and brought back the first horrific photos of the Buchenwald concentration camp; and Marguerite Higgins, who typed stories while riding in the front seat of an American jeep that was fleeing the North Korean Army--experiences her own journey, both personally and professionally.

Examines what combat photographers have seen and felt and their influence on the public.

Collects the black-and-white photographs of Mathew Brady, which depict various scenes from the course of the entire Civil War. Includes commentary on the images and what they represent.