off-reservation boarding schools

"How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way? The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking".

"When Little Moon There Are No Stars Tonight was four years old, armed federal agents showed up at her home and took her from her family. Under the authority of the government, she was sent away to a boarding school specifically created to strip her of her Ponca culture and teach her the ways of white society. Little Moon was one of thousands of Indigenous children forced to attend these schools across America and give up everything they'd ever known: family, friends, toys, clothing, food, customs, even their language. She would be the first of four generations of her family who would go to the Chilocco Indian Agricultural School. Dan SaSuWeh Jones chronicles his family's time at Chilocco--starting with his grandmother Little Moon's arrival when the school first opened and ending with him working on the maintenance crew when the school shut down nearly one hundred years later. Together with the voices of students from other schools, both those who died and those who survived, Dan brings to light the lasting legacy of the boarding school era"--Provided by publisher.

"When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past"--OCLC.

"Learn how education and government policy impacted generations of Indigenous families. Readers will understand the legacy of boarding schools on Indigenous cultures and the resilience of those cultures today"--Provided by publisher.

"From the midcentury metropolis of Chicago to the windswept lands of the Dakh?ta people to the brutal Indian boarding schools, [this book] . . . is the tale of three extraordinary women, told in part through the stories of the dolls they carried. Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult--even dangerous--but her life is also filled with lovely things, including a new Christmas present: a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life. Lillian, born 1925: Raised in her tribe's reservation in a time of terrible change, Lillian clings to her sister Blanche and her doll, Mae. When the sisters are forced to attend an Indian boarding school far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, Mae finds her way to defend the girls. Cora, born 1888: Born just after the genocidal 'Indian Wars,' Cora still isn't afraid of the white men who take her away to be 'civilized.' When teachers burn her beloved buckskin doll Winona, Cora discovers that the spirit of Winona may not be entirely lost"--Provided by publisher.

"This nonfiction book for middle-grade readers, illustrated with photographs, tells the story of the making of the Witness Blanket, a work by Indigenous artist Carey Newman that includes items from every residential school in Canada and stories from the Survivors who donated them."--.

The true story of how Indigenous girls at a Canadian residential school sewed secret pockets into their dresses to hide food and survive. Mary was four years old when she was first taken away to the Lejac Indian Residential School. It was far away from her home and family. Always hungry and cold, there was little comfort for young Mary. Speaking Dakelh was forbidden and the nuns and priest were always watching, ready to punish. Mary and the other girls had a genius idea: drawing on the knowledge from their mothers, aunts and grandmothers who were all master sewers, the girls would sew hidden pockets in their clothes to hide food. They secretly gathered materials and sewed at nighttime, then used their pockets to hide apples, carrots, and pieces of bread to share with the younger girls. Based on the author's mother's experience at residential school, "The Secret Pocket" is a story of survival and resilience in the face of genocide and cruelty. But it's also a celebration of quiet resistance to the injustice of residential schools and how the sewing skills passed down through generations of Indigenous women gave these girls a future, stitch by stitch.

"How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way? The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking"--.

"A school assignment to interview a residential school survivor leads Daniel to Betsy, his friend's grandmother, who tells him her story. Abandoned as a young child, Betsy was soon adopted into a loving family. A few short years later, at the age of 8, everything changed. Betsy was taken away to a residential school. There she was forced to endure abuse and indignity, but Betsy recalled the words her father spoke to her at Sugar Falls--words that gave her the resilience, strength, and determination to survive"--Provided by publisher.

Saul Indian Horse is in trouble, and there seems to be only one way out. As he journeys his way back through his life as a northern Ojibway, from the horrors of residential school to his triumphs on the hockey rink, he must question everything he knows.