lanyer, aemilia

"As an undergraduate, Melina Green had a rare opportunity to have one of her first plays judged by famous theater critic Jasper Tolle, only to be publicly humiliated by a harsh and biased critique. Ten years later, her confidence as a playwright has never recovered, although she has just completed a work that she thinks is her best yet. It is based on the life of her ancestor Emilia Bassano, the first published female poet in England - and rumored to be the "Dark Lady" of Shakespeare's sonnets - but whom some scholars suspect may be the real author of a number of his plays. Melina wonders if she dares risk failure again, and then her best friend takes the decision out of her hands and submits it to a festival under a male pseudonym. In 1581, the young orphan Emilia Bassano is being raised in the ways of English aristocracy by the Baron Willoughby and his sister. Her lessons on languages, reading, and writing have endowed her with a sharp wit and a gift for storytelling. But like most women of her day, she has no control over her fate, and is ripped from her old life and forced to become a courtesan to Lord Hunsdon, a man knighted by Queen Elizabeth as the Lord Chamberlain in charge of all theater in London"--Provided by publisher.

"A remarkable work about women writers in the Renaissance explodes our notion of the Shakespearean period and brings us in close to four women who were committed to their craft before there was any possibility of "a room of one's own." In a sparkling and engaging narrative of everyday life in Shakespearean England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid 16th century into the private lives of four women writers working without acknowledgment at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Amelia Lanyer, the first woman to publish a book of poetry in the 17th century, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land, in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own whose doors had been shut for centuries. Targoff flings them open to uncover the treasures left by these extraordinary women by helping us see the period in a fresh light and by supplying an expanded reading of history and a much-needed female perspective on life in Shakespeare's day"--Provided by publisher.

Aemilia Lanyer, the daughter of a Venetian musician and a former favorite at Queen Elizabeth's court, begs for help from her former lover, William Shakespeare, when her son falls ill with the plague.