lesbians

"Seventeen is nothing like Codi Teller imagined. She's never crashed a party, never stayed out too late. She's never even been kissed. And it's not just because she's gay. It's because she and her two best friends, Maritza and JaKory, spend more time in her basement watching Netflix than engaging with the outside world. So when Maritza and JaKory suggest crashing a party, Codi is highly skeptical. Those parties aren't for kids like them. They're for cool kids. Straight kids. But then Codi stumbles upon one of those cool kids, Ricky, kissing another boy in the dark, and an unexpected friendship is formed. In return for never talking about that kiss, Ricky takes Codi under his wing and draws her into a wild summer filled with late nights, new experiences, and one really cute girl named Lydia. The only problem? Codi never tells Maritza or JaKory about any of it"--Amazon.com.

Preet and Valissa live peacefully together in a magical village until they are soon divided by different paths, insecurities, and distance, getting sent on separate adventures and trying to find their way back to each other.

During her sophomore year, Jessica develops a relationship with Vivi which helps her deal with the anger she has felt since her father's death, only to be overwhelmed again when Vivi dies during their senior year.

"Hannah Gadsby's unique standup special Nanette was a viral success--and to some, her worldwide fame may have seemed like an overnight sensation. But like everything else about Gadsby, there's more to her success than meets the eye. In her first book, the queer Australian comedian, writer, and actress takes us through the key moments in her life that ultimately led to the creation of Nanette and her startling declaration that she was quitting comedy. She traces her growth as a gay woman from Tasmania--where homosexuality was illegal until 1997--to her ever-evolving relationship with comedy, to her struggle with late-in-life diagnoses of autism and ADHD, and finally to the backbone of Nanette--the renouncement of self-deprecation, the rejection of misogyny, and the moral power of telling the truth"--.

After seventeen-year-olds Chloe and Shara, Chloe's rival for valedictorian, kiss, Shara vanishes leaving Chloe and two boys, who are also enamored with Shara, to follow the trail of clues she left behind, but during the search, Chloe starts to suspect there might be more to Shara and her small Alabama town than she thought.

Born invisible, seventeen-year-old Pie wants more from life than lurking unseen in other people's houses, but when she finally reveals herself, her mother disappears, and Pie begins to question everything she thought she knew.

Alex Blackwood is really good at getting the girl she wants, but coming from a broken home with an alcoholic mother she finds committment difficult, even when she thinks she is in love; impossibly awkward Molly Parker has a crush on the cool Cora Myers, but she does not know how to even start a conversation, much less make a connection; now they are all at college in Pittsburgh Alex decides to "help" Molly get the girl, while proving to her own flame that she is not just totally selfish--but things do not work out as the two have planned.

"Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love's kiss. You've heard this before, haven't you? The handsome prince. The happily ever after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn't care, either. Until I met Princess Aurora. The last heir to Briar's throne. Kind. Gracious. The future queen her realm needs. One who isn't bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she--cares for me. Even though a power like mine was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating--and she can't stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it's what can lift it. Perhaps together we could forge a new world. Nonsense again. Because we all know how this story ends, don't we? Aurora is the beautiful princess. And I--I am the villain"--OCLC.

Told in alternating perspectives, Todd replays the events that lead to his death in the local park, watching as detectives investigate his murder and talk to the students responsible for it, and meanwhile Georgia, who does not know Todd, cannot stop thinking about him.

"On her eighteenth birthday, Hilde leaves her orphanage in 1930s Berlin, and heads out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Caf? Lila, a vibrant cabaret full of expressive customers. Rosa, one of the club's waitresses and performers, immediately takes Hilde under her wing. As the caf? denizens slowly embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa. But Berlin is in turmoil. Between the elections, protests in the streets, worsening antisemitism and anti-homosexual sentiment, and the beginning seeds of unrest in Caf? Lila itself, Hilde will have to decide what's best for her future...and what it means to love a place on the cusp of war"--From the publisher's web site.