racially mixed women

"[Lawton, a Black woman who raised in a colorblind English household by white parents] with no acknowledgment of her difference or access to Black culure . . . explores a fundamental question: what constitutes our sense of self? Drawing on her personal experiences and the stories of others, Lawton grapples with difficult questions about love, shame, grief, and prejudice, and reveals the nuanced and emotional journey of forming one's identity"--Provided by publisher.

A brief biography of Kamala Harris, discussing her childhood, education, career as a lawyer and politician, and her role as Vice President of the United States.

"An . . . unforgiving poem narrating Ona Judge's self-emancipation from George Washington's household"--Provided by publisher.

"Follows the story of [the] author's . . . maternal grandmother, Dorothy May Jackson. Born in Tennessee in 1890, Dorothy May was the middle daughter of Addie Jackson, a married African-American housekeeper at one of the white boardinghouses in town, and Tom Mitchell, a commanding white attorney from a prominent family. Through three successive generations of African-American women, Elster intertwines the fictionalized adaptations of the defining periods and challenges--race relations, miscegenation, sexual assault, and class divisions--in her family's history"--.

"Nadia Owusu grew up all over the world--from Rome and London to Dar-es-Salaam and Kampala. When her mother abandoned her when she was two years old, the rejection caused Nadia to be confused about her identity. Even after her father died when she was thirteen and she was raised by her stepmother, she was unable to come to terms with who she was since she still felt motherless and alone. When Nadia went to university in America when she was eighteen she still felt as if she had so many competing personas that she couldn't keep track of them all without cracking under the pressure of trying to hold herself together. A . . . coming-of-age story that explores . . . [the] universal theme of identity, [this book] follows Nadia's life as she hauls herself out of the wreckage and begins to understand that the only ground firm enough to count on is the one she writes into existence"--Provided by publisher.

Khai Diep has autism and believes he is incapable of having "big" feelings such as love or grief. Rather than attribute this loss of emotion to the autism, he instead considers himself defective and shuts himself off to romantic relationships. His mother then travels back to Vietnam to find him a mail-order bride. She meets Esme Tran, a mixed-race girl who thinks marrying an American man might be the only way to help her family. But as she attempts to teach Khai about the lessons of how to feel love, she feels her own feelings for the man growing, finally realizing that she's in love with a man who can't reciprocate. Khai, for his part, must learn how to unlock his inner emotion or else run the risk of losing Esme forever.

"[The author] writes an . . . account of growing up as a queer biracial girl searching for home as her family splits apart and her mother struggles with mental illness and addiction. From her own struggles with depression and drug abuse to her experiences of violence to Puerto Rico's history of colonialism, every page vibrates with music and lyricism"--Provided by publisher.

The acclaimed literary essayist T Kira Madden's raw and redemptive debut is a memoir about coming of age as a queer, biracial teenager within the fierce contradictions of Boca Raton, Florida, a place where cult-like privilege, shocking social and racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hide in plain sight. As a child in Florida, T Kira Madden lived a life of extravagance--from her exclusive private school to her equestrian trophies and designer shoes, she had plenty to envy. But beneath the surface, life in "the rat's mouth" of Boca Raton was dangerous. Left to her own devices as both parents battled drug addiction, Kira navigated the perils of coming of age too quickly, and without guidance--oblivious parents and misguided babysitters at home, tormentors at school, sexual predators at the mall, and the confused, often destructive, desperately loving friendship of fatherless girls. With unflinching honesty and moving, lyrical prose, and spanning from 1960's Hawai'i to the nip and tuck rooms of 1990s Florida to the present-day struggle of a young woman in a culture of harassment, Long Live the Tribe of Fatherless Girls is the story of families both lost and found, unmade and rebuilt, crooked and beautiful.