myth

"Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to--true ones of course--but also fables and mythologies that could help explain both the world and herplace in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away. Mouton writes, "The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way....Mythmaking isn't a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, atruth that must start with the women." Mouton's memoir Black Chameleon is a song of praise and an elegy for Black womanhood. With a poet's gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territoryin the memoir form"--.

"Six myths lie at the heart of the American experience. Taken as aspirational, four of those myths remind us of our noblest ideals, challenging us to realize our nation's promise while galvanizing the sense of hope and unity we need to reach our goals. Misused, these myths allow for illusions of innocence that fly in the face of white supremacy, the primal American myth that stands at the heart of all the others"--Publisher.

"Explains how to identify the elements that make up a myth and how to write your own"--Provided by publisher.

Conversations between Joseph Campbell and Bill Moyers, a television journalist, discussing mythology and our ties to the past.

"... introduction to world mythology, broken up into handy bite-sized chunks. It covers all the main world mythologies, including Sumerian, Incan, African, Native American, African, Egyptian, Persian, Hindu, Norse and, of course, Greek and Roman, including the famous Olympians (Zeus, Hera, Poseidon and others). It begins with a selection of creation myths from different cultures (for example the Dreamtime of Aboriginal Australian mythology) and delves into individual stories from mythology, such as Perseus meeting Medusa and Pandora's box. It covers fantastical mythological creatures from the fearsome Manticore from Persian legend to the modern-day Yeti, plus giants, dragons and the Phoenix. It explores mythological places like Atlantis and various versions of the afterlife, from the idyllic Arthurian Avalon to the rather less pleasant Yomi, the dark and gloomy underworld of Japanese mythology"--OCLC.

From gadgets that give superheroes incredible powers to the enduring controversy over the NASA moon landing, the MythBusters' have a great time testing out urban legends, exposing fakery and trying TV and movie tricks themselves.

Presents interviews with mythologist Joseph Campbell and notable people he inspired including poet Robert Bly, anthropologist Angeles Arrien, and filmmaker David Kennard.

This exciting book offers readers an examination of the world of medieval myth and its historical roots.

Neither modernity nor the developling postmodern era are kind to mythology. Skepticism and ideology are uneasy bedfellows of myth. Yet myth is a necessary condition for human creativity.