political refugees

"Continuing this . . . middle grade nonfiction series, a young woman once persecuted by the Taliban shares her journey to becoming a community activist. As a girl and as part of an ethnic minority in Afghanistan, Freshta Tori Jan was persecuted relentlessly. Her family faced kidnappings and daily murder attempts on the bus, on the way to school, in the workplace, and beyond. Freshta's school was shut down by the Taliban, and many of her friends were murdered and shot. Her journey through poverty, terrorism, and other forms of injustice has enabled her to be a voice for those unable to share their stories and those unable to receive the opportunities she has sought. She believes in empowering youth in order to bring about change and be the leaders of today and tomorrow"--Provided by publisher.

Nothing has shaped my life as much as surviving the Pol Pot regime. I am a survivor of the Cambodian holocaust. That's who I am," says Haing Ngor. And in his memoir, Survival in the Killing Fields, he tells the gripping and frequently terrifying story of his term in the hell created by the communist Khmer Rouge. Like Dith Pran, the Cambodian doctor and interpreter whom Ngor played in an Oscar-winning performance in The Killing Fields, Ngor lived through the atrocities that the 1984 film portrayed. Like Pran, too, Ngor was a doctor by profession, and he experienced firsthand his country's wretched descent, under the Khmer Rouge, into senseless brutality, slavery, squalor, starvation, and disease--all of which are recounted in sometimes unimaginable horror in Ngor's poignant memoir. Since the original publication of this searing personal chronicle, Haing Ngor's life has ended with his murder, which has never been satisfactorily solved. In an epilogue written especially for this new edition, Ngor's coauthor, Roger Warner, offers a glimpse into this complex, enigmatic man's last years--years that he lived "like his country: scarred, and incapable of fully healing.".

Pin Yathay recounts his experiences hiding from the Khmer Rouge guerrillas who murdered more than two million Cambodians in his native country during the late 1970s, reflecting on the terror he felt and the loss of seventeen members of his family who were killed in the genocide.

"A stunning graphic memoir of a childhood in Cuba, coming to America on the Mariel boatlift, and a defense of democracy, here and there Hailed for his iconic art on the cover of Time and on jumbotrons around the world, Edel Rodriguez is among the most prominent political artists of our age. Now for the first time, he draws his own life, revisiting his childhood in Cuba and his family's passage on the infamous Mariel boatlift. When Edel was nine, Fidel Castro announced his surprising decision to let 125,000 traitors of the revolution, or "worms," leave the country. The faltering economy and Edel's family's vocal discomfort with government surveillance had made their daily lives on a farm outside Havana precarious, and they secretly planned to leave. But before that happened, a dozen soldiers confiscated their home and property and imprisoned them in a detention center near the port of Mariel, where they were held with dissidents and criminals before being marched to a flotilla that miraculously deposited them, overnight, in Florida. Through vivid, stirring art, Worm tells a story of a boyhood in the midst of the Cold War, a family's displacement in exile, and their tenacious longing for those they left behind. It also recounts the coming-of-age of an artist and activist, who, witnessing American's turn from democracy to extremism, struggles to differentiate his adoptive country from the dictatorship he fled. Confronting questions of patriotism and the liminal nature of belonging, Edel Rodriguez ultimately celebrates the immigrants, maligned and overlooked, who guard and invigorate American freedom"--.

Presents the complete text of William Shakespeare's "The Tempest," with a line-by-line translation of the play in simple language, a list of characters, and commentary.

"Explores moments and eras in America's history that have been ignored or misrepresented in education due to racial bias. Developed in conjunction with educator, advocate, and author Virginia Loh-Hagan to reach children of all races and encourage them to approach our history with open eyes and minds. [This book] explores the events in a comprehensive, honest, and age-appropriate way"--Provided by publisher.

"Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now! These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames--before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It's a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death. Against all odds, Kim lived--but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country's freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul? Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant--and the power and resilience that can only be found in the power of God's mercy and love."--Provided by publisher.

"There are two versions of H?ctor: the public and the private. It's the only way to survive in communist Cuba--especially when your father was exiled to the U.S. and labeled an enemy of the people. H?ctor must always be seen as a fierce supporter of the regime, even if that means loudly rejecting the father he still loves. But in the summer of 1980, those two versions are hard to keep separate. No longer able to suppress a public uprising, the Cuban government says it will open the port of Mariel to all who wish to leave the country--if they can find a boat. But choosing to leave comes with a price. Those who want to flee are denounced as traitors by family and friends. There are violent acts of repudiation, and no one knows if they will truly be allowed to leave the country or not. So when H?ctor's mother announces that she wants the family to risk everything to go to the United States, he is torn. He misses his father, but Cuba is the only home he has ever known. All his dreams and plans require him to stay. Can he leave everything behind for an unknown future? In a summer of heat and upheaval, danger and deadly consequences, H?ctor's two worlds are on a collision course. Will the impact destroy him and everything he loves?"--From the publisher's web site.

"Continuing this . . . middle grade nonfiction series, a young woman once persecuted by the Taliban shares her journey to becoming a community activist. As a girl and as part of an ethnic minority in Afghanistan, Freshta Tori Jan was persecuted relentlessly. Her family faced kidnappings and daily murder attempts on the bus, on the way to school, in the workplace, and beyond. Freshta's school was shut down by the Taliban, and many of her friends were murdered and shot. Her journey through poverty, terrorism, and other forms of injustice has enabled her to be a voice for those unable to share their stories and those unable to receive the opportunities she has sought. She believes in empowering youth in order to bring about change and be the leaders of today and tomorrow"--Provided by publisher.

Roser, a pregnant widow, and Victor, an army doctor and the brother of her deceased love, flee the aftermath of the Spanish Civil War in seach of a place to call home.