war photography

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war photography

Eddie Adams

Vietnam
Contains black-and-white photographs taken by Pulitzer Prize-winning photojournalist Eddie Adams during the war in Vietnam, and includes commentary from his friends and colleagues, as well as quotes and writings by Adams.
Cover image of Eddie Adams

Vietnam and the rise of photojournalism

"A book for high school students about the impact of journalistic photography in the United States during and after the Vietnam War"--Provided by publisher.

Seeking light

portraits of humanitarian action in war
2015
A collection of photographs from International Committee of the Red Cross missions in conflict zones.
Cover image of Seeking light

Girl with a camera

Margaret Bourke-White, photographer ; a novel
In this historical novel, noted writer Carolyn Meyer deftly captures the daring and passionate life of photographer Margaret Bourke-White.

Eyes of the world

Robert Capa, Gerda Taro, and the invention of modern photojournalism
Packed with dramatic photos, posters, and maps, this compelling book captures the fascinating story of photojournalism in modern times.

Omaha Beach on D-Day

On June 6, 1944, the photographer Robert Capa captured an iconic image of an American GI submerged in the Normandy surf. The remarkable shot was taken at harrowing personal risk. Capa's photograph came to represent the final stages of World War II to the world. Already a notable war photographer, Capa was one of the few photojournalists who disembarked on the beach that day. His famous shot, along with a few others from that roll of film, are the only images that survive from Omaha Beach on D-Day.

It's what I do

a photographer's life of love and war
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making -- not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself. Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war. Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear. As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.

War

images of armed conflict and its aftermath
2012
"More than 480 images illustrate the relationship between photography and war, showing the experience of armed conflict through the eyes of photographers across two centuries and six continents"--.

The Civil War in color

a photographic reenactment of the war between the states
2012
John Guntzelman presents some of the most outstanding and remarkable photographs of the Civil War as they have never been seen before - in color!.

The eye of war

words and photographs from the front line
2003

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