fiction / coming of age

A lively and poignant coming-of-age story about a boy and his great-uncle on a cross-country odyssey. Donal Cameron is being raised by his grandmother, the cook at the legendary Double W ranch in Doig's beloved Two Medicine Country of the Montana Rockies, a landscape that gives full rein to an eleven-year-old's imagination. But when Gram has to have surgery for "female trouble" in the summer of 1951, all she can think to do is to ship Donal off to her sister in faraway Manitowoc, Wisconsin. There Donal is in for a rude surprise: Aunt Kate--bossy, opinionated, argumentative, and tyrannical--is nothing like her sister. She henpecks her good-natured husband, Herman the German (as Donal discovers him to be), and Donal can't seem to get on her good side either. After one contretemps too many, Kate decides to pack him back to the authorities in Montana on the next Greyhound. But to Donal's surprise, he's not traveling solo: Herman the German has decided to fly the coop with him. In the immortal American tradition, the pair light out for the territory together, meeting a classic Doigian ensemble of characters and having rollicking misadventures along the way.

Fifteen-year-old orphan Ana Cortez has just blown her last chance with a foster family. It's a group home next--unless she agrees to leave East Los Angeles for a farm trainee program in Northern California. When she first arrives, Ana can't tell a tomato plant from a blackberry bush, and Emmett Garber is skeptical that this slight city girl can be of any help on his farm. His sister Abbie, however, thinks Ana might be just what they need. Ana comes to love Garber Farm, and even Emmett has to admit that her hard work is an asset. But when she inadvertently stirs up trouble in town, Ana is afraid she might have ruined her last chance at finding a place to belong.

"Hank, Leland, Kip and Ronny were all born and raised in the same Wisconsin town--Little Wing--and are now coming into their own (or not) as husbands and fathers. One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them--both then and now--fuels the kind of passion one comes to expect of lovesongs and rivalries. Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed. There is conflict here between longtime buddies, between husbands and wives--told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too--not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again--and the kind of steely faith and love returning requires"--.

When Rachel was a young girl she tried to help her father, a local detective, find a serial killer in the mountains of California, but she did not crack the case and her actions destroyed her fathers career. Thirty years later Rachel is convinced that the killer is still out there and she constructs a new strategy to find him and vindicate her father.