(clive staples)

"The Mythmakers is the illustrated story of C.S. Lewis and J.R.R. Tolkien and how each came to write their masterworks-neither story can be told without including the other, they are so intertwined. Through narrative and comic panels, the book chronicles their near-idyllic childhoods, then moves on to both men's horrific tour of the trenches of WWI to their first meeting at Oxford in 1929, and then the foreshadowing, action, and aftermath of WWII. This nonfiction graphic novel follows the shared story of their friendship and creative fellowship, in all its ups and downs, that gave them confidence to venture beyond academic concerns (fantasy wasn't scholarly writing but considered the domain of children), shaped major story/theme ideas, and shifted their ideas about the potential of mythology and faith. The book also shows the camaraderie and the importance of the social/literary circle of friends called the Inklings, and how the friendship of these two great men fell apart and came together again. Hendrix concludes describing how the writings of C.S. Lewis and J.R.R. Tolkien had re-enchanted the 20th century, after two World Wars. In writing aimed at scholars, adults, and young people, these two tweedy academics altered the course of storytelling and embraced the concept that fantasy writing for an adult audience was an accepted form of literature. The format is similar to The Faithful Spy, prose interspersed with images and narrative comics. The narration is often conversations between a knowledgeable wizard and a comical lion. Through brisk conversation between these two friends, they explain some of the bigger ideas in an approachable and entertaining way. Throughout the story, there are "gateways" that lead readers to the back matter where certain themes, such as how myth/fantasy evolved or the art of world-building, are discussed more fully. This device keeps the main story flowing quickly and smoothly for those readers not interested in the more academic ideas behind the narrative. Among the ideas covered in the narrative and back matter: - Tolkien's world building - The "Theology of Creation" linking their faith to their writings - The meaning of real friendship - Notions of modernity and mythology - The value of fantasy - The power of a creative community - An exploration of the different kinds of storytelling in Narnia and The Lord of the Rings, both relying on "The Myth" as a story-telling device, but differing in the use of allegory vs. symbolism - The creative differences of Lewis and Tolkien: the high standards of Tolkien's fiction and the faster and more immediate approach of Lewis's - Logos vs. Mythos: Lewis created from images, Tolkien created from language - The mixing of mythologies Also included are an author's note, endnotes, bibliography and index"--Provided by publisher.

Provides a picture book biography of Jack and Warnie Lewis whose imagination led Jack, later to be known as C.S. Lewis, to invent the world of Narnia.

A picture book biography about C.S. Lewis, the author of "The Lion, the Witch and the Wardrobe.".

Contains two works by C.S. Lewis, in Surprised by Joy the author tells the story of how he passed from atheism to Christianity, giving information on his childhood and adolescence as background to understanding his spiritual life; and in The Four Loves, he explores the four types of love, including affection, friendship, Eros, and charity.

"[C. S. Lewis] reflects on the power, importance, and joy of a life dedicated to reading books in this . . . collection drawn from his wide body of writings"--Provided by publisher.

Is a biography of C.S. Lewis, author of the Chronicles of Narnia series, A Grief Observed, and other stories.

Presents an examination of the imaginary world created by C.S. Lewis in his series "Chronicles of Narnia," and points out the connections between the stories and the Christian message.

Play based on the true story of British author C.S. Lewis and his relationship and marriage to American Joy Gresham.